The pocket guide
16 pages of tips, dos and don'ts and fixes for your Base Set.
Knowledge & inspiration
Tutorials, tips and inspiration for gel plate printing. Watch it, swipe through it or read it. Pick whatever suits you.
16 pages of tips, dos and don'ts and fixes for your Base Set.
How do you like to learn?
A real session, from empty plate to finished print.
Treat these steps as a guideline, not a recipe. Timing and results depend on temperature, humidity, paint thickness, paper and more. Try it yourself, feel how the paint behaves, and trust your own eyes.
A real session, including the waiting.
Cut a print down and fold it into a card.
Cut a print down and fold it into a card.
Fresh prints, reels and the best of what you make. Tag #mydropart and we may repost your print.
Leaf prints in layered greens.
Leaf prints in layered greens.
Patchy, sticky, faint or muddy? Here's why.
Most gel plate hiccups come down to paint thickness, drying time or pressure.
Usually too little paint or uneven rolling. Roll a little more, in two directions, until the plate looks evenly coated. Then press the whole sheet with a flat hand.
Acrylic dries fast. Work with less paint at a time, keep the room cool and out of direct sun, and go quickly from rolling to pressing.
Usually too many colours on one plate, or a new layer printed over a wet one. Let layers dry first and keep to two or three colours per print.
Too little paint, or the paint began to dry and went tacky. Add a little more paint and work faster. If the plate feels tacky, wash it with mild soap, pat it dry and start again. Peel slowly from one corner.
Use a little more paint and press the whole sheet evenly for a bit longer. Smooth paper is the easiest to start with.
Get more out of your 16 texture plates.
Leaves and grasses on a warm yellow base.
Leaves and grasses on a warm yellow base.
Leaf prints over pink and yellow, with a pattern plate.
Leaf prints over pink and yellow, with a pattern plate.
A few simple habits for cleaner layers.
Muddy colour almost always comes from too much mixing on the plate. A few habits keep it clean.
Two or three colours per print is plenty. You can change the palette every print.
Light colours disappear under dark ones, so print them first and add darker layers on top.
Printing over a wet layer smears it. Wait until the first print is dry to the touch before layering.
Roll colours next to each other and let them blend a little at the edges, rather than stirring them together.
Textured circles with a few hand-painted flowers.
Textured circles with a few hand-painted flowers.
A gel plate lasts a long time if you treat it gently.
Wipe off wet paint with a baby wipe or a damp, soft cloth. Water is usually enough, with a little mild soap if needed. Avoid strong chemical cleaners.
Pencils, toothpicks and fingernails can leave permanent marks. Small marks are normal and often add character.
Keep it flat and covered on both sides with plain white paper or the protective films it came with, away from heat and direct sun. Never use plastic wrap or wax paper.
A close-up of a heavily layered print.
A close-up of a heavily layered print.
“There's no wrong way to print: layer, peel, repeat.”
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